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Friday, May 8, 2009

Gerry Rafferty

In his early years, Gerry Rafferty earned money busking on the London Underground. Poetically, his biggest hit "Baker Street" was about busking at a tube station. After working with Billy Connolly in a band called the Humblebums, he recorded a first solo album, Can I Have My Money Back. In 1972 Rafferty and his old school friend Joe Egan formed Stealers Wheel, a group beset by legal wranglings, but did have a huge hit "Stuck in the Middle With You" (made famous for a new generation in the movie Reservoir Dogs) and the smaller top 40 hit "Star" ten months later. The duo disbanded in 1975.[1]

In 1978, Gerry Rafferty cut a solo album, City to City, which included the song with which he remains most identified, "Baker Street". The single reached No. 3 in the UK and No. 2 in the U.S.[2][3] The album sold over 5.5 million copies, toppling the Saturday Night Fever soundtrack in the U.S. on 8 July 1978.[citation needed] Even today, "Baker Street", which features a "glistening" saxophone solo by Raphael Ravenscroft, remains a mainstay of soft-rock radio airplay.[4]Another song from the City to City album, "Right Down the Line," also continues to receive copious radio airplay.[citation needed] Also from City to City, "Home and Dry" managed a #28 spot in the US Top 40 in early 1979.[5] One of the more obscure tracks from that time is "Big Change in the Weather" (the B-side of "Baker Street").[6]. His next album, Night Owl, also did well, and the title track was a UK No. 5 hit in 1979. "Days Gone Down" reached #17 in the U.S. The follow-up single "Get It Right Next Time" made the UK & US Top 40.

Subsequent albums, such as Snakes and Ladders (1980), Sleepwalking (1982), and North and South (1988), fared less well, perhaps due partly to Rafferty's general reluctance to perform live. "Don't Give Up On Me", from his 1992 collection On A Wing and a Prayer, is a much-featured oldie on BBC Radio 2.[citation needed] That album reunited him with Stealers Wheel partner Joe Egan on several tracks. Rafferty redid his own "Her Father Didn't Like Me Anyway" on the album Over My Head (1994). His latest effort was Another World, released in 2000, and was originally available only by direct order via his no longer active website but is now available on the Hypertension label. Another World featured an album cover illustrated by John Byrne 'Patrick', who also illustrated the covers for City to City, Night Owl, and Snakes and Ladders.

Away from his album work, Rafferty also contributed to the soundtrack to the film, Local Hero - "The Way it Always Starts" (1983), and co-produced The Proclaimers first UK hit single, "Letter From America", in 1987 with Hugh Murphy.[7]

[edit] Disappearance

The newspaper Scotland on Sunday reported that Rafferty was asked to leave the Westbury Hotel in London during July 2008. This report stated that the hotel manager had claimed that other residents were distressed by his habit of relieving himself in various corners of the hotel and that his suite was also in a disgraceful and unusable condition.[4] He then checked himself into St Thomas' Hospital suffering from a chronic liver condition. The same report claimed that on 1 August 2008, Rafferty had disappeared, leaving his belongings behind, and that the hospital had filed a missing persons report,[4] however this was refuted by the Metropolitan Police who stated that no such missing persons report existed.[8]

After unconfirmed sightings and unauthenticated reports that he was in contact with his family, on 17 February The Guardian reported that Rafferty was in hiding in the south of England, being cared for by a friend. Subsequently, Rafferty's spokesperson Paul Charles told The Independent newspaper that he had been in touch with Rafferty two weeks previously and that he was alive and well but had no plans to either record or tour.[9]. This was then contradicted by a further report in The Daily Telegraph on the following day which quoted from a statement by his solicitors issued to Channel 4 news: "Contrary to reports, Gerry is extremely well and has been living in Tuscany for the last six months......he continues to compose and record new songs and music......and he hopes to release a new album of his most recent work in the summer of this year".[10][11]

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Chantel McGregor Performing 'Little Wing'

blues( R.I.P) tribute wall of videos

Sean Costello (April 16, 1979 – April 15, 2008) was an American blues musician renowned for his fiery guitar playing and soulful singing.[1][2][3]He released five critically-acclaimed albums before his career was cut short by his sudden death at the age of 28. Tinsley Ellis called him ‘the most gifted young blues guitarist on the scene... he was a triple threat on guitar, vocals and as a songwriter’.[4]
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Blues singer Jeff Healey Dead At 41

Canadian blues singer and guitarist Jeff Healey died in a Toronto hospital at the age of 41 on March 2. He had been battling cancer for several years. He leaves behind a wife, Christie and 2 children. Healey battled cancer at age one - retinoblastoma, a rare form of retinal cancer - which left him blind. But being blind didn't stop Jeff - he taught himself to play guitar by laying the instrument across his lap and his unique style and his rich, soulful voice earned him a successful music career. Much of his commerical success came with being frontman to the Jeff Healey Band. The Canadian musician made his debut in 1988 with his first album, See the Light. Healey jammed with many greats during his career - B.B. King, Stevie Ray Vaughan and George Harrison. Although Jeff was known for his bluesy/rock, his true love was jazz, a genre that was heard in his last three albums. His death comes just weeks before the release of his first rock album in eight years. Mess of Blues is set to drop on April 22 in North America. A great talent has been lost. Rest in peace Jeff.

Bo Diddley, US rhythm and blues singer dies, aged 79

Had Diddley been able to copyright the hypnotic and highly distinctive rhumba-like beat that was his musical trademark he might have been able to retire many years ago as a very wealthy man, rather than having to eke out a living in his old age, playing night-clubs, as his health deteriorated. The Bo Diddley sound - best remembered in his eponymous hit in 1955 and sometimes summarized as 'shave and a haircut, two bits' - would become a key template for early rock and roll. Buddy Holly's 'Not Fade Away', which was subsequently covered by the Rolling Stones, was a carbon-copy of the Diddley beat, as was 'Magic Bus' by the Who, 'I Want Candy' by The Strangeloves, and many more.
sShinedown is an American rock band from Jacksonville, Florida, formed in 2001 by Brent Smith, Brad Stewart, Jasin Todd, and Barry Kerch. The band has released three albums on Atlantic Records. They have released popular singles such as "45", "Save Me", "Devour", and "Second Chance." Every single they have released has reached the Top 5 of the Hot Mainstream Rock Tracks chart, To date, Shinedown has sold over six million albums worldwide.[1]
Matt Nathanson doesn't waste any time setting the tone for his transfixing new album, Some Mad Hope. Diving headlong into a sea of chiming guitars, the San Francisco-based singer-songwriter breathlessly declares "I'm wide awake and so alive" -- the opening lines of "Car Crash" serving as a statement of emotional clarity that permeates the disc's every groove. Some Mad Hope, Nathanson's sixth studio album (and first for Vanguard), is in many ways his most fully-realized work to date. ,'" Nathanson says with a laugh. "From the gentle string washes that lap the edges of "Heartbreak World" (a song that balances wistful backward glances with gingerly-held hope of better things to come) to the insistent rhythmic pulse that drives the wind-at-the-back anthem "Detroit Waves," Nathanson demonstrates a mesmerizing attention to detail. Nathanson lived his life as the very model of the modern independent artist, journeying from town to town, logging literally hundreds of thousands of miles, all the while captivating audiences with his confessional songs and spontaneous, uncensored stage banter.

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